Showing posts with label Lanchester. Show all posts
Showing posts with label Lanchester. Show all posts

Thursday, June 30, 2011

Babes In Arms

 The Mitchum siblings. John (L) and Robert (R)

 Bette Davis

 Basil Rathbone (L) and siblings

 Clifton Webb

 Waldo and sister Elsa Lanchester

 Sourpuss Franchot Tone

 Hedy Lamarr

 James Stewart

 Gene Tierney

 Rex Harrison

 Loretta Young

 Lauren Bacall

Vivien Leigh


A big thanks to Emily over at The Silver Screen Affair, I got a lot of photos from a wonderful blog she did a few weeks ago!

Tonight on TCM!
Get your horror on!

Friday, February 4, 2011

Witness for the Prosecution (1957)


When Leonard Vole (Tyrone Power), is accused of murdering Mrs. French (Norma Varden), a wealthy widow, he is advised by his solicitor Mayhew (Henry Danielle) to seek out a barrister for his defense. The best barrister for the case, Sir Wilfrid Robarts, is currently recovering from a near-fatal heart attack and has been strictly ordered to get involved only in bland, unexciting civil suits. With his irksome nurse Miss Plimsoll (Else Lanchester) watching his every move, Sir Wilfrid must resort to slyness in order to get what he wants. However, Vole’s case intrigues him after he meets the somewhat cold and removed Mrs. Vole and he is determined to take the case despite Miss Plimsoll’s protestations. Thinking Mrs. Vole will not be much help with the alibi; Sir Wilfrid is perplexed when she decides to be a witness not for the defense but for the prosecution.



 It must have been in Dietrich's contract that she show her legendary gams at least once in each film.






This is definitely a movie I do not want to spoil for anyone. It’s a must see! Cleverly acted by Laughton and Dietrich, there is not a dull moment in the film and the ending is quite a twist. Kudos again for Laughton’s acting, which was much more verbally based in this feature but no less powerful. The scenes between him and Elsa Lanchester were again hilarious and offered comic relief in a suspenseful film. Kudos too for Dietrich who is just as clever and sneaky as Laughton with the added bonus of breaking away from her usually composed and cool characters to grace us with a bit of humanity when she takes the stand for a second time.



Oscar Trivia:

Director Billy Wilder had eight nominations for an Academy Award for Best Director in his career. This makes him the second most nominated director in the history of the Academy Awards, behind William Wyler. Out of these nominations, Wilder won twice for the films The Lost Weekend and The Apartment.


Elsa Lanchester was nominated twice in her career for Best Supporting Actress, first in Come to the Stable and again in Witness for the Prosecution in which she won the award.

Charles Laughton was nominated for Best Actor three times in his career for The Private Life of Henry VIII, Mutiny on the Bounty, and Witness for the Prosecution. He won only once, for The Private Life of Henry VIII. Mo matter, reportedly he had a Hepburn-esque attitude for awards and award ceremonies.

Marlene Dietrich received only one Best Actress Academy Award nomination in her entire career and that was for Morocco.

Tyrone Power never received any Academy Award nominations, however, he acted in five films that were nominated for Best Picture: Flirtation Walk, In Old Chicago, Alexander’s Ragtime Band, The Razor’s Edge, and Witness for the Prosecution.

Tuesday, February 1, 2011

The Private Life of Henry VIII (1933)


Covering the span of ten years, The Private Life of Henry VIII begins with the execution of Anne Boleyn (Merle Oberon in her first substantial part) and Henry’s marriage to Jane Seymour (Wendy Barrie). When Jane dies after baring Henry a son, Henry is encouraged to marry again. He does so…very reluctantly to Anne of Cleves (Elsa Lanchester real life wife of Charles Laughton) who cleverly arranges for a divorce so that she may be with her true love. When it is suggested that Henry marry again, this time he does so for love. However, Katherine Howard (Binnie Barnes) is more in love with the crown than Henry, and soon finds that little happiness lay inside that wretched circle. She begins an affair with Thomas Culpepper (Robert Donat) which ends disastrously with them both being executed once caught. Henry’s final marriage is to Catherine Parr (Everly Gregg) who is best summed up in the last line of the film, “Six wives, and the best of them is the worst”.





The film itself, though not historically accurate or even a great masterpiece, offers us a view into Henry’s private life, behind closed doors, away from his subjects. Laughton, whose acting is the treat of the film, literally “rounds” out the king to which he very much resembles, running the gamut of emotions from hearty statesman to childish tyrant. We watch how his marriages mellow him from an impatient bridegroom to the most reluctant. Most of Laughton’s genius in this film is physical. The way he shapes his face when he agrees or disagrees with something, his gaping duck walk made to look powerful but knowingly ridiculous. I think it was Maureen O’Hara that once said that Laughton could convey so much simply by physical action.


The best scene in the film for me is the interaction between him and Elsa Lanchester, Laughton’s actual wife.  Ironically Anne of Cleves is the wife he considers most undesirable. For her part, Anne does all she can to look undesirable. When she outwits him at cards and convinces him she would find a divorce most amicable, their wordplay is most humorous.

Oscar Trivia:
Henry VIII is the only character played by three separate actors that garnered each and Academy nomination with Charles Laughton winning Best Actor for his portrayal. The other two actors were Robert Shaw (of Jaws fame) in A Man for All Seasons and Richard Burton in Anne of the Thousand Days.

The Private Life of Henry VIII also holds another distinction for being the first film shot outside of Hollywood to be nominated for an Academy Award.

Elsa Lanchester was nominated twice in her career for Best Supporting Actress, first in Come to the Stable and again in Witness for the Prosecution which also garnered Laughton with his second Academy nomination. This film also marked the last of the twelve the couple made together.

Robert Donat was also nominated twice for the Academy Award. He lost out for Best Actor in The Citadel but was victorious the next year with the Best Actor award for Goodbye Mr. Chips.

Friday, January 28, 2011

Murder by Death (1976)


When the world’s foremost detectives gather at Lionel Twain’s (Truman Capote) castle for dinner and a murder (his own), they find themselves being challenged to discover who is the best detective of all. Sidney Wang (Peter Sellers), Dick Charleston (David Niven), Jessica Marbles (Elsa Lanchester) Milo Perrier (James Coco) and Sam Diamond (Peter Faulk) not only have their own motives for killing Lionel but they could all use the million dollars he offers up as the reward for whoever solves the crime. Hilarity ensues as the evening reveals the flaws of each detective and the promised dinner is ruined by the lack of communication between Jamesir Bemsonmam (Alec Guinnes) the blind butler and the hired cook (Nancy Walker) who’s deaf and mute. Not to mention the murders of Jamesir and Lionel.










 
A delightful film with a dialogue full of parodies any classic noir fan would enjoy, Murder by Death itself is one big parody of all the detectives created by: Dashiell Hammett, whose Nick Charles and Sam Spade were the basis for Dick Charleston and Sam Diamond, Agatha Christie, whose Hercule Poirot and Miss Marple inspired Milo Perrier and Miss Marbles, and; Earl Derr Biggers Charlie Chan who’s the basis for Sidney Wang.
My favorite character was Falk’s Sam Diamond whose lengthy one liners left me reeling.



Trivia:
Immediately after completing the film, Peter Sellers was so convinced it was going to bomb, he convinced the producers to buy back his percentage share in the movie, thus depriving himself of a cut of the profits with the film when it went on to be a hit.


Tonight on TCM!
Tunes of Glory (1960)  When a popular colonel loses a promotion, it sets the stage for conflict with his new superior officer. Cast: Alec Guinness, John Mills, Dennis Price, Kay Walsh Dir: Ronald Neame